Origins and Philosophy

Poetonic is the name I chose long ago, born from a love of small-form poems and the belief that our inner truths must be as real as the imperfections that define us. It was a name waiting for a purpose, and in 2019, I found it in Shanghai. The city hit me like a wave—its chaotic streets, plastered with peeling billboards and littered with scraps, felt alive, gritty, and full of stories. I started gathering those fragments and turned them into collages.

My work leans on kintsugi, the art of repairing broken objects with gold, and Plato’s eternal Forms, those timeless truths beyond the surface. They taught me to see beauty in flaws, to honor what’s scarred but still standing. My collages aren’t about hiding the breaks—they’re about showing them off, making something whole from what’s been left behind. In the urban sprawl, I found poetry in the mess, and Poetonic became more than a name; it became my way of seeing the world.

In the spirit of Plato’s eternal Forms, my art seeks to capture a higher truth. Yet, if our shared journey is defined by both triumphs and struggles, then the very essence of imperfection must be woven into Beauty’s timeless Form. This fusion of the raw and the divine transforms life’s chaotic beauty into something sacred. In an era where digital filters and AI replace real experience with polished simulacra, my work stands as a bold tribute to authenticity and the irreplaceable touch of human creation.

Artistic Approach

The artworks come to life through a conversation with discarded fragments—tattered magazine clippings, yellowed pages, and worn ephemera. I let pure intuition guide me, trusting the materials to find their place without overthinking or planning. This process is an exercise in innovation through ignorance, where embracing the unknown allows fresh, unexpected ideas to emerge. This process is fluid and organic, a dance of spontaneity where each tear, fold, and juxtaposition reveals a new layer of meaning. The artwork evolves in real time, shaped by my immediate, visceral responses to the textures, colors, and echoes of these cast-off pieces.

Mission

Through collage, I dig into myself, peeling back layers of my own identity—how it’s shaped, warped, and pieced back together. In a world where tech and media keep redrawing who we’re meant to be, it’s easy to lose the thread of your own story. Collage fights that. It’s me claiming my voice, pulling meaning from the scraps, layering history and memory into something that’s mine.

I want my work to spark something in you—to make you think about your own shifts and changes. Better yet, I want you to grab some scissors and try it yourself. Collage isn’t just for me—it’s a way for anyone to rewrite their story, to find beauty in the pieces they’ve been handed.

FEATURED ARTWORK

FEATURED ARTWORK

“Good Call”

Drawing inspiration from a rare Library of Congress archival image in the “sunglasses” collection, this abstract collage channels an aura of enigmatic coolness and refined mystery. Through a interplay of layered shades and textured fragments, the piece transcends mere portraiture—transforming into a dynamic, playful character whose identity is both concealed and revealed. The meticulous cut-and-paste technique, invites viewers to explore the boundary between abstraction and storytelling, where every shape and shadow hints at hidden narratives beneath the surface.